My writer's critique group fell into a debate about the proper formating style for a character's unspoken thoughts, or internal dialog. Some simply wrote them in first-person as a continuation of the narration, with no delineation between the two. Some just added the tag "she thought." The subject came up because, in my manuscript, a character's thoughts are italicized. They wanted to know why I did it that way. My only answer was, "That's how I see it done in books I read." That wasn't a satisfying answer for them, so I did some research.

My first resource was my trusty Chat AI that I use to critique some of my sentence phrasing. In fact, it indirectly answered the questiion before I even asked. I offered it a paragraph to critique, which included one sentence of italicized internal dialog. When I pasted the text for it to evaluate, the italics were lost. But when it regurgitated its critique, it restored the italics! So I had to ask, why? It's response: "Italics are the standard, cleanest, most widely accepted way to format a character’s unspoken first‑person thoughts in modern fiction." Okay, so that's it. Good. But then, it also added: "But there are nuances ...."
Oh, great. The old, "on the one hand ... but then on the other hand ..." dodge. It categorized two kinds of internal dialog.
- Direct, first‑person style - Italicize this. It's what I used: switching from third-person narration to first-person internal dialog to give the thoughts immediacy. For example: I'll be back soon enough.
- Free, indirect style - No italics. I use this sometimes, too, when the thoughts aren't intended to be so emphatic, but instead should flow smoothly in the narration. The thoughts remain in the narrator's third-person voice. For example: He would be back soon enough.
One rule that does seem set in concrete: internal dialog is never enclosed in quotation marks. It's just too easy to mistake for the spoken word.
From what I gather, my critique-mates aren't about to change their style based upon anything I say. And I don't know if this formatting issue earns demerits in the eyes of agents, editors, or contest judges when a manuscript is evaluated.
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