Showing posts with label conflict. Show all posts
Showing posts with label conflict. Show all posts

Friday, October 8, 2010

Book Review: Stein On Writing

Copyright © 2010, Steven E. Houchin

Stein On Writing book imageI recently finished reading Sol Stein’s book Stein On Writing. Its chapters are divided into seven sections, allowing the reader to zero in on the subjects he/she cares most about. Stein’s writing is straightforward and the chapters are peppered with excellent examples, both good and bad.

I concentrated most on the Fiction section, where each chapter presents different concepts and techniques, such as Plotting, Characterization, Suspense, Tension, Dialog, and Point of View.

I especially liked two of the chapters.

A) The Crucible: A Key to Successful Plotting. This is the situation that binds the characters together even as things go terribly wrong. What is it that keeps them together until the end, rather than running away? It can be something like a marriage, a blood relationship, a closed physical location, a business, a competition, etc. The crucible can exist for one or more scenes, or may define the whole novel. When used, it can breed plenty of character conflict and be a device for the character to grow or change.

B) The Adrenaline Pump: Creating Tension. The chapter starts with the great notion that “Writers are troublemakers”. Rather than seeking to relieve stress, we wish to give our readers the sense of more stress and pressure, like stretching a rubber band. He makes the point that, once the author creates the tension, he/she shouldn’t let go too quickly; let the stress linger - drag it out as long as possible. The tension can come from a single chilling sentence, or by setting up a stressful situation, such as a ticking clock to an ominous deadline.

Stein’s book should be a valuable reference I can refer to again and again to get my novelist’s juices flowing anytime my writing feels stale.

Monday, March 23, 2009

"Conflict" - Love It Or Hate It?

Copyright © 2009, Steven E. Houchin

Every time I hear someone say, "I don't see any conflict in this scene", I want to strangle them. Ahhh, yes ... now there's conflict! To me, the "conflict" criticism always comes across as formulaic, like an item on a generic checklist: flawed protagonist, check; no clichés, check; no adverbs, check; conflict, check.

I was at an author event recently where the subject of conflict came up, where it was said you must put "conflict on every page". Ugh - there it was again: the hated formula. But, as the discussion ensued - and some objections were raised - I realized that the "conflict" formula was really a misnomer. It doesn't mean that a fistfight or shouting match need break out on every page, which seems logical to qualify for conflict. Instead, it encompasses a lot of things we don't usually associate with conflict. I think the idea centers more around avoiding scenes that are nice, pleasant, pretty, and bland.

I jotted down ideas that might suffice to portray conflict in a scene:

Accident
Flirtation
Obstacle
Adversity
Foreboding
Oppression
Anger
Grief
Pursuit
Anxiety
Hate
Rage
Attack
Indecision
Revenge
Bewilderment
Injury
Reversal
Bumbling
Insecurity
Slapstick
Denial
Madness
Stress
Disappointment
Miscue
Teasing
Disbelief
Mistake
Tension
Exhaustion
Misunderstanding
Fear
Mystery

Looking through these ideas, I can see things that represent inner turmoil (denial), or an external force (attack). It can be shown through inner dialog, external dialog, body language, or action. Nods and smiles, sitting around, and mundane chitchat ("Hi, how are you?") are the enemy of conflict. Still, I don't like the term "conflict" for this concept. I think "tension" or "stress" works better for me.

Now, if I hear "conflict" one more time, I might just . . . just . . . . Well, you get the idea.